History of African American Music Essay - 1264 Words

From their earliest presence in , African Americans have significantly contributed literature, art, agricultural skills, cuisine, clothing styles, music, language, and social and technological innovation to American culture. The cultivation and use of many agricultural products in the United States, such as , , , , , , , , and , can be traced to West African and African-American influences. Notable examples include , who created 300 products from peanuts, 118 products from sweet potatoes, and 75 products from pecans; and , a local legend associates him with the creation of the potato chip in 1853. is a variety of cuisine popular among African Americans. It is closely related to the . The descriptive terminology may have originated in the mid-1960s, when was a common definer used to describe African-American culture (for example, ). African Americans were the first peoples in the United States to make fried chicken, along with immigrants to the South. Although the Scottish had been frying chicken before they emigrated, they lacked the spices and flavor that African Americans had used when preparing the meal. The Scottish American settlers therefore adopted the African-American method of seasoning chicken. However, fried chicken was generally a rare meal in the African-American community, and was usually reserved for special events or celebrations.

Free Essays on The History of African-American Music

Looks at aspects of African-American culture including religion, literature, music, and the arts.

African American Music History essays

One very consistent and obvious element in the African American culture is their music. Music was as much a part of the daily language as talking. In some traditional African cultures, the Language was very tonal and the meaning of a word or phrase could change with the tonal inflections. Some drums were designed to produce a range of pitches to accommodate the pitches of the tonal language. Songs were used to tell of the culture’s history or announce a notable deed or event. Songs were used to synchronize a group effort or task or tell of some emotional crest or valley. Music was also...

African American Music Culture Essay - 1490 Words

Founded in 1867, Howard University has been described as a "" due to its central role in African American education in Washington, D.C. Originally, the institution was a theological school before being chartered as a university by an act of the United States Congress in 1867. According to the , Howard University is the only historically black college to hold that distinction. Howard also established the first black law school in the nation. Alumni of the school include authors Toni Morrison and Zora Neal Hurston, Founder of the precursor to Black History Month Carter G. Woodson, Associate Justice of the Supreme Court Thurgood Marshall, and musician Sean Combs, who is more often known as "P. Diddy."

From spirtuals to classical, the archives are dedicated to collecting and preserving the music of African American culture.
Short Description:Looks at aspects of African-American culture including religion, literature, music, and the arts.

African-American history - Wikipedia

Fi-yer! A Century of African-American Song. Albany Records, 1999. William Brown (tenor) and Ann Sears (piano). Extensive program notes and texts of songs enclosed. Concert music is an important tradition in African American culture, though often one that goes unrecognized and uncelebrated, certainly less well known than blues, ragtime and jazz. But the African American concert tradition is as old at the U.S. itself. William Brown and Ann Sears take us on a delightful and diverse journey through the arranged spirituals and art songs of many composers, including Thomas Greene Bethune (Blind Tom 1849-1908), John William Boone (Blind Boone 1864-1927), Harry T. Burleigh (1866-1949), Will Marion Cook (1869-1944), R. Nathaniel Dett (1882-1943),R oland Hayes (1887-1977), ,Florence Price (1888-1953), , Hall Johnson (1888-1970), William Grant Still (1895-1978), John W. Work III (1901-1967), and Margaret Bonds (1913-1972). Order or listen at

1,588 African American Music the Musical History of Free Essays: 1 - 25 (showing first 1,000 results)

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During the 1950s, when the Africans experienced rapid urbanization and a relatively booming economy, the two French-speaking colonies of the Congo area witnessed the birth of an African version of the Cuban rumba played by small American-style orchestras. Some artists that are African are Afro-National, Khaled Agag, Eric Agyeman, and Mahmoud Ahmed. Other than using their voices, which has been developed to use various techniques, they use a wide array of musical instruments are used. African musical instruments include a wide range of drums, slit gongs, rattles, double bells, and melodic instruments including string instruments.Other percussion instruments include many rattles and shakers, such as the kosika, rain stick, bells and wood sticks. Also, Africa has lots of other types of drums, and lots of flutes, and lots of stringed and wind instruments. The traditional tribal African music has deep meaning in its lyrics along with its rhythm and beat, its lyrics often tell of struggles, religion, and day to day life. The Africans would perform rituals to try to please the gods, these rituals would include music made by the high priest the instruments used would be tribal drums and a rain stick. The lyrics would be similar to Christian hymns in our modern culture See More on

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Pioneers of African-American Cinema - Kino Lorber …

I enjoyed this CD from beginning to end! It provides a wide and dazzling array of styles, from lush romanticism to pulsing atonal. The first work, Irene Britton Smith's 1947 Sonata, bowled me over with its haunting lyricism. Negro Dance by Nora Douglas Holt is a wonderful piece of classical ragtime composition that rivals anything I've heard by Joplin. (Holt was the first black in U.S. history to receive a master's degree in music.) Sadly, it is the only piece that survived out of some 200 works which were stolen from storage, and only because it had been published in her short-lived journal Music and Poetry (1921.) Margaret Bond's Troubled Water is a concert piece incorporating jazz idioms, based on the spiritual "Wade in the Water." Florence Smith Price's Fantasie Negre (1929), inspired by the spiritual "Sinner, Please Don't Let This Harvest Pass" is dedicated to Bonds, and is an ambitious work combining African-American melodic and rhythmic idoms with classical European forms.