Free Essays on Music Is Expression Of The Spirit Of Man

The first step is to stop thinking of yourself as merely a guitarist. I'll take this one step further and recommend against thinking of yourself as a musician! You are, or are at least learning to become, an artist. Music just happens to be your medium and guitar just happens to be your instrument, but YOU are the artist. From this day forward when someone asks you what you do or who you are, don't reply by saying you are a guitarist or musician. Tell them (in a non-arrogant way) you are an artist. If they want more details than that, go ahead and tell them music is your medium and guitar is your instrument. I guarantee you will put an entirely different impression in other people's minds than if you were to say, "Yeah, I play guitar". But beyond the impressions of others, you will begin to put stronger impressions in your own mind that you are in fact an artist (even if you are still in the learning stage of fully becoming one). The way you view yourself (as an artist and not merely someone who owns a guitar and plays it sometimes) is very important to the way you will think about what you are doing musically. The way you see yourself will also effect the results you will get as you are expressing yourself.

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Freedom of Expression and Rap Music Essay - 1113 …

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Freedom of Expression and Rap Music Essay

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Charles Avison: An Essay on Musical Expression (London, 1752) 121 Musical perfection as the ideal combination of knowledge, deed and action 128

Once More, with Feeling (Buffy the Vampire Slayer) - Wikipedia

Although "Once More, with Feeling" allows all the characters to confess truthfully, with the exception of Willow, it does not resolve the behavior that demanded confession in the first place. At the end of the episode, Buffy kisses Spike, initiating a romance that she hides from her friends. Their relationship lasts until the end of the series, marked for a time by Buffy's loathing of him because he has no soul. Her relationship with Spike, however, allows her to feel lust and attraction, which she yearns for after being pulled back from a heavenly dimension. In , Mikhail Lubyansky writes that, although Buffy's first step toward re-engaging with her life is telling the Scoobies the truth in the song "Something to Sing About", she does not find meaning again until the end of the season. In his essay "A Kantian Analysis of Moral Judgment in ", Scott Stroud explains that Buffy, as the central character throughout the series, is torn between her desires and her duty, in a illustration of vs. , symbolized by her responsibility as a Slayer and her adolescent impulses. In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. It reaches a climax in the ultimate sacrifice when Buffy offers to die to save the world. However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. Not only does she continue her Slaying despite a lack of inspiration, but for the rest of the season she works at a humiliating job to provide for her sister and friends.

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"Under Your Spell" received attention from writers because it presents a frank and unflinching expression of lesbian romance. was the first show in U.S. television history to portray a long-term lesbian relationship among the core cast of characters. Previous televised depictions of lesbian relations were primarily limited to single "coming out" or , showing lesbian-identified characters as affectionate but not erotic. Tara and Willow demonstrate throughout the series, and specifically in "Once More, with Feeling", that they are "intensely sexual", according to essayist . Near the end of Tara's song, she sings, "Lost in ecstasy / Spread beneath my Willow tree / You make me / Com — plete", as Tara levitates off the bed while Willow tacitly performs on her. Lorna Jowett called the song "the most erotic scene" of the series. Whedon admitted on the DVD commentary for the episode that the song is "pornography" and "probably the dirtiest lyric I've ever written, but also very, very beautiful".

are determined by the artists themselves and are an artwork of personal and musical expression.

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Free signup required to download or reading online Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 book. Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire.Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.