ENGLISH ESSAYS: Essay topic: Beauty in nature

Another perception issue arises from the very nature of beauty contests—the objectification of women. Despite proclaimed gender equality, physical attractiveness (including sexual) remains one of the major requirements for women today (FAR). No matter how progressive and tolerant people strive to be, they still make their first impression about other people by their appearance, and this is natural. However, the idea of beauty contests implies evaluating women solely on their physical shape, ignoring all other aspects of individuality. Interviewing, meant to show a contestants personality, is a fraud; as one of the former pageants wrote, none of the judges wanted to hear about deep problems, asking about the most challenging childhood experiences (Generation Progress). This turns a woman into a media object, or even a product, that can be assessed and then either approved or rejected; due to the popularity of beauty contests, such an attitude is being widely propagated.

Jun 06, 2009 · Essay topic: Beauty in ..

Definition Essay: Beauty My definition of beauty is felt in our heart in many ways

Essay on inner beauty - Pros of Using Paper Writing …

The purposiveness of beauty, then, can seduces us into a search for truer meanings than the ones we have come to rely on and take for granted. This confrontation with the sublime in the beautiful is disruptive, but also liberating. What it disrupts is the complacency of our dispositions to disregard. What it liberates us to is to a new sensitivity to our own lives and to the lives of those around us. These aspects of fear and joy, of disruption and liberation that can be construed from this revision of Kant's analysis of the beautiful and the sublime connect this idea of the sublime in the beautiful with Aristotle's notions of fear and pity in tragedy, and the end of tragedy as catharsis.

6/6/2009 · Essay topic: Beauty in ..

If a thing is for us really without a purpose, then it is for us really purposeless and so purposiveless. An object of beauty for us, then, will have the quality of purposiveness, but further reflection will show it to be really purposiveless. The concept of purposiveness I associate, as does Kant somewhat more indirectly, with the sublime. To get to the sublime from the beautiful, then, one must confront this essential feature of the beautiful, namely, its ultimate purposivelessness. When we are forced to confront what is for us real purposivelessness it is a confrontation with something which our mind cannot organize or contain or make sense of. Our mind, our imagination, extends, but it can determine no boundaries. Its own integrity gets threatened, are threatened. It will be a feeling of some close, very real, but unseen and unspecifiable danger. When the mind works to defend itself against this danger, when it reflects, reframes, stands back, as it were, which is to say, when reason is engaged, the feeling is one of relief, of the cessation of the threat. The subsequent feeling is a feeling of joy. It is the experience of the sublime in the beautiful.

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An essay has been defined in a variety of ways

It is worth saying that Santayana's treatment of the topic in TheSense of Beauty (1896) was the last major account offered inEnglish for some time, possibly because, once beauty has been admittedto be entirely subjective, much less when it is held to rest on a sortof mistake, there seems little more to be said. What stuck from Hume'sand Kant's treatments was the subjectivity, not the heroic attempts totemper it. If beauty is a subjective pleasure, it would seem to haveno higher status than anything that entertains, amuses, or distracts;it seems odd or ridiculous to regard it as being comparable inimportance to truth or justice, for example. And the twentieth centuryalso abandoned beauty as the dominant goal of the arts, again possiblyin part because its trivialization in theory led artists to believethat they ought to pursue more real and more serious projects. Thisdecline is explored eloquently in Arthur Danto's book The Abuse ofBeauty (2003).

When comparing between natural beauty and artificial beauty, one must first ask himself, “What is beauty?” According to the Little ..

List of Compare and Contrast Essay Topics - Buzzle

By contrast, the judgment that something is beautiful, Kant argues, isa disinterested judgment. It does not respond to myidiosyncrasies, or at any rate if I am aware that it does, I will nolonger take myself to be experiencing the beauty per se of the thingin question. Somewhat as in Hume—whose treatment Kant evidentlyhad in mind—one must be unprejudiced to come to a genuinejudgment of taste, and Kant gives that idea a very elaborateinterpretation: the judgment must be made independently of the normalrange of human desires—economic and sexual desires, forinstance, which are examples of our ‘interests’ in thissense. If one is walking through a museum and admiring the paintingsbecause they would be extremely expensive were they to come up forauction, for example, or wondering whether one could steal and fencethem, one is not having an experience of the beauty of the paintingsat all. One must focus on the form of the mental representation of theobject for its own sake, as it is in itself. Kant summarizes this asthe thought that insofar as one is having an experience of the beautyof something, one is indifferent to its existence. One takes pleasure,rather, in its sheer representation in one's experience:

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Beauty in Nature | Sustainability at Harvard

Such aesthetic words as ‘beautiful’ and‘hideous’ are employed … not to make statements offact, but simply to express certain feelings and evoke a certainresponse. It follows…that there is no sense attributingobjective validity to aesthetic judgments, and no possibility ofarguing about questions of value in aesthetics. (Ayer 1952, 113)