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The further evolution of musical theatre came with the development of the operette, which was created in 1850 by the French composer Herve. These were light musical comedies that would often provide broad satire and wit to the stage, combined with bright melodies and high energy. These would be the model for all musical theatre that would come after it. After Jacques Offenbach and Johann Strauss II would develop the style further, it would become popularized in the works of Gilbert and Sullivan, Irving Berlin and Rodgers and Hammerstein. The music hall and musical burlesques would comprise the majority of musical theatre in 19th century England.

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Spring Awakening (musical) - Wikipedia

When we are talking about the Broadway Musicals, we would think about the theatre music. In the very early 20th Century in America, the theatre music was booming, there were thirty-three legitimate Broadway theatres in New York, over 3,000 professional theatres across the United States, and more was going to be built to meet the audience demand. The famous actor was Al Jolson, a ‘charismatic performer’ in Broadway. His performance saved Warner Bros. from bankruptcy. The Singing Fool which made the gross income of $5.5m, a biggest income only to be exceeded by Gone With The Wind eleven years later.

Off-Broadway Shows Guide: Current Off-Broadway …

4) "My Wild Irish Rose" (1898),interpolated into the 1899 show A Romance of Athlone. Variousartists perform this on compilations of Irish standards, butunlike such classics as "Wearing of the Green" and"Bard of Armagh," this song is more American thanIrish. The composer himself, Chauncey Olcott (born ChancellorJohn Olcott), popularized it in the Broadway show and recorded itfor Columbia in 1913. This important creator record is reissuedon Music From the New York Stage, 1890 - 1920, Volume 1 (Pearl9050). Olcott co-wrote other American-Irish classics, including"Mother Machree" (lyrics by Rida Johnson Young);"I Love the Name of Mary" (lyrics by George Graff,Jr.); and "When Irish Eyes Are Smiling" (music byErnest R. Ball, words by Olcott and Graff). In 1914, tenor JohnMcCormack recorded a superb version of "My Wild IrishRose," reissued on a compact disc of that name (RCA 68668).

After a tryout musical performance in Seattle in 2009, Catch Me If You Can opened at Broadway's Neil Simon Theatre in April 2011
Study 1: Are There Interpretable Factors Underlying Musical Preferences

Coming Up Roses: The Broadway Musical in the 1950s

On March 11, 2011, the musical began preview performances on Broadway at the , with an official opening date on April 10, 2011. The show featured most of the Seattle cast, with Butz, Tveit, Wopat, and Butler appearing in leading roles. Other Seattle cast members included: Linda Hart, Nick Wyman, , Brandon Wardell, Timothy McCuen Piggee, and Angie Schworer. The production had scenic design by , costume design by , lighting design by , and musical direction by ; O'Brien and Mitchell were the director and choreographer, respectively.

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American musical theater did not exactly come of age. It wasstill heavily influenced by European shows, such as one importedfrom England titled Florodora, Opening in 1900, this was thesecond show in Broadway history to have a run of over 500performances. Its popularity owed much to the show's bestproduction number. While singing "Tell Me, PrettyMaiden," six beautiful women with parasols and six menwalked in unison with arms locked. The success of this carefullychoreographed scene led to larger budgets for choruses and stageeffects in subsequent musical comedies.

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The musical opened on at the on April 18, 1994, and ran there until September 5, 1999. The show then transferred to the on November 11, 1999, with an official opening date of November 16, 1999. The musical closed on July 29, 2007, after 46 previews and 5,461 performances, and is Broadway's in history (as of January 2017). The production holds the record of being the longest running production at both the Palace Theatre, where it opened, and the Lunt-Fontanne Theatre, where it closed its Broadway run.[] The production cost an estimated $12 million, arguably higher, becoming the most costly Broadway musical at the time. However, some analysists estimate the cost to be closer to $20 million.