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The correct determination of the different super-genres is very important, but much less difficult than determining the correct number of genres. The same super-genres return in various lists, summaries, other genealogies, literature, although sometimes with other names or a slightly different combination of genres. The boundaries of these super-genres are not rigid, after all. Just like smaller, regular genres, super-genres should be considered as fluid concentrations in the musical universe, fading over into each other.

Musicmap | The Genealogy and History of Popular Music Genres

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Music can be divided into different genres in several ways. The artistic nature of music means that these classifications are often arbitrary and controversial, and some genres may overlap. There are several academic approaches to genres. In his book , Douglass M. Green lists , , , , and dance as examples of genres from the period. According to Green, "Beethoven's and Mendelssohn's are identical in genre – both are violin concertos – but different in form. However, Mozart's , and the from his are quite different in genre but happen to be similar in form." Some, like , treat the terms and as the same, saying that should be defined as pieces of music that share a certain style or "basic musical language".

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A music genre is a conventional category that identifies pieces of as belonging to a shared tradition or set of conventions. It is to be distinguished from and , although in practice these terms are sometimes used interchangeably.[] There are numerous genres in Western and , as well as and the music of non-Western cultures. The term is now perhaps over-used to describe relatively small differences in musical style in modern , that also may reflect sociological differences in their audiences.[] Timothy Laurie suggests that in the context of rock and pop music studies, the "appeal of genre criticism is that it makes narratives out of musical worlds that often seem to lack them".

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Musicmap provides the ultimate genealogy of all popular music genres and combines any information regarding music genres and history in one dynamic map

Because of the large focus on retrospective analysis, it is important to take all music genres from 2010 until now with a grain of salt, because their definitions are still forming. The ink is still wet; there is no telling where it might run. Musicmap does not display any end time of music genres, only the (approximate) year of origin. A music genre after all, cannot die. It is never impossible to recreate a specific genre, even though the sociologic circumstances have been changed. Sometimes a return to one particular genre of the past happens on a larger scale, with updated equipment, sound and small alterations: a revival. Revivals form a big part of popular music in the last two decades, marking a possible saturation point of styles, and the perfect starting point for a summary of popular music genres thus far.
Musicmap combines the advantages of large mega genealogies (500 genres) with those of synoptic overviews (

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A final visualization, expanding on the theme of a world map, is the concept of super-genres as floating continents. This concept catches the dynamic boundaries of the super-genres. Even things from the past (the northern part of the continents) that are supposed to be fixed, can shift in the light of new genre definitions and classifications. This is an important phenomenon in the world of music genre theory. It has happened before that genre definitions change and old categories make place for new ones after thorough research or appearance of new genres (for example Jazz and the early Hardcore/House/Techno explosion have witnessed such transformation). These continents can either drift further away from each other, or bump into each other.

Essay about music genres

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Crossover is a term applied to musical works or performers who appeal to different types of audience, for example (especially in the United States) by appearing on two or more of the which track differing musical styles or . If the second chart combines genres, such as a "" list, the work is not a .

Phonetic, made-up lyrics are another venerable tradition of folk music, and “pa-rum-pa-pa-pum” is iconic of the genre.

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Last but not least; genres can never succeed in describing music correctly. Just like any language is inadequate to express emotions, so are genres imperfect tools to describe music. Yet, they are still far better than nothing, and very useful when mastered.