Essay on Irish Music - 1597 Words | Cram
Music Essays Traditional Irish Ireland
– Celtic Connections
This is a festival organised here in Glasgow that’s great for all fans of real Scottish (Irish) music. Several nights are free of charge and I can only say that it was wonderful. We went two times. The first time it was an open play and just some people began playing and some old Scots joined in with singing, that was just fantastic. The second time there were several professionals on stage and this was also really nice, if you like the music that is.
Irish Music Essays - 1819 Words - StudyMode
With the international fashion of Folk musics the bodhrán has multiplied in geometric progression as a symbol of instant access to music-making. It has reached nonsense proportions in the Irish Fleadh Cheoil and English Folk Festival scene where a melody instrument may well start off the music, but the percussion swells in and eventually becomes an end in itself. Ever aware of this scenario all round him the whole summer long, Tim tells the original yarn about the bodhrán in song in which he vilifies the ‘typical’ tourist as German (it used be American) but lets the goat get away. Sensibly enough he robbed The Cuckoo’s Nest to lay his tonic eggs in – to eliminate the possibility of any German ever learning the song.
And by Scots we mean everyone who has made Scotland their home. We have been shaped for the better by migrants that have came to our shores over the years. Paddy Callaghan is a wonderful example. Having won this year’s BBC Radio Scotland Young Traditional Musician of the Year, he is a young guy from Glasgow with Irish heritage and a flair for traditional music straddling both Scotland and Ireland. As an MSP I have witnessed the great work done in Glasgow’s communities by Gaelic football club Tir Conaill Harps. As a kid I benefited from a similar club, St Patrick’s in Dumbarton. These are just two example of how Irish traditions and culture have both flourished in, and enhanced, Scotland. There are of course many more examples.The border origin of the Scotch-Irish is supported by study of the traditional music and folklore of the , settled primarily by the Scotch-Irish in the 18th century. Musicologist collected hundreds of folk songs in the region, and observed that the musical tradition of the people "seems to point to the North of England, or to the Lowlands, rather than the Highlands, of Scotland, as the country from which they originally migrated. For the Appalachian tunes...have far more affinity with the normal English folk-tune than with that of the Gaelic-speaking Highlander." Similarly, elements of mountain folklore trace back to events in the Lowlands of Scotland. As an example, it was recorded in the early 20th century that Appalachian children were frequently warned, "You must be good or Clavers will get you." To the mountain residents, "Clavers" was simply a used to keep children in line, yet unknown to them the phrase derives from the 17th century Scotsman , called "Bloody Clavers" by the Presbyterian Scottish Lowlanders whose religion he tried to suppress.