ORIGIN OF LATIN AMERICAN DANCE MUSIC
Studies have documented the history of Latin America and function as a means of witnessing the traumatic past. Some of these studies have reflected and responded to complicated and contradictory social and political history of Latin America. The history of Latin America is characterized by states terror and the memories of war victims. Some of the victims of war were persecuted, silenced, executed and forced to migrate which serve to bring a traumatic memory of a violation. However, in Cuba and Chile, the memory of trauma does not provide a helpful theoretical concept to think about the impacts of terror. Trauma is also not the best way of reflecting on the experiences of the victims of civil and independence wars in Latin America (Eakin 41).
Latin America Music Styles and Dances
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Similar to the way in which scholars have retrospectively perceived a budding nationalism in intellectuals like Sigüenza, Sor Juana Inés de la Cruz (1651-1695) is widely regarded as a forerunner of feminist philosophy in Latin America. Just as non-whites were typically barred from higher education based on European assumptions of racial inferiority, women were not permitted access to formal education on the assumption of sexual inferiority. Basic education was provided in female convents, but their reading and writing still occurred under the supervision of male church officials and confessors. After establishing a positive reputation for knowledge across literature, history, music, languages, and natural science, Sor Juana was publicly reprimanded for entering the male-dominated world of theological debate. Under the penname of Sor Philothea de la Cruz (Sister Godlover of the Cross), the Bishop of Puebla told Sor Juana to abandon intellectual pursuits that were improper for a woman. Sor Juana’s extensive answer to Sor Philothea subtly but masterfully defends rational equality between men and women, makes a powerful case for women’s right to education, and develops an understanding of wisdom as a form of self-realization.
Music of Latin America essay ..
Language was the first contribution that the Spanish and Portuguese powers brought to the New World. Latin music is, in fact, defined to a large extent by the Spanish and Portuguese languages. While Portuguese came to define the music from , Spanish language defined the rest of Latin America.
LATIN AMERICAN DANCE MUSIC INTRODUCTION Latin America thrives on its culture. Its dance and music is known to be very sexy and promiscuous, and isScaruffi (2006) notes that, before the Spanish conquest, the Amerindian population which comprised of Mayan, Aztec, and Olmec among others, used music for sacrifices or rituals in enhancing their culture and beliefs. However, he points out that post contemporary movements in Latin America, for example the Hispanic revolution in Mexico, helped revolutionize the Latin America music. This came about as a result of the promotion of a perfect blend of both European and local music. As the revolutionary movements became more active, people begun to feel their influence in the field of music as this enabled the musicians to come up with a regional based folk music. According to him, Mariachi, a famous regional musical genre used by revolutionary movements, and which became popular during the time, incorporated both the narrative and folk music. This was partly a strategy by the revolutionary movements to enable them participate in determining their country’s involvement in current affairs pertaining to war and politics as well as those of the larger society.