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The secular music of the Renaissance was intended for both the professional and the amateur. With the rise of the merchant class , music making in the home became increasing popular. Most prosperous homes had a lute or a keyboard instrument. The study of music was important for girls and to a lesser degree boys. Women began to play a prominent part in the performance of music both in the home and in the court. Dance was also increasingly poplar. The instruments to be used in these dance arrangements were determined by the particular occasion. Outdoor performances called for loud instruments such as the shawm and sackbut ( Medieval oboe and trombone). For certain civic occasions, soft instruments such as the recorder and bowed strings were preferred. Although percussion parts were not written out in Renaissance music, the evidence suggests that they were improvised at the performance. In the courts taffle music was often played, that is table music, the people of the court would often dance after their dinner. There were a number of dance types that were popular. The stately court dance known as the pavane often served as the first number of a set, followed by one or more quicker dances, such as the Italian saltarell ( jumping dance) and the French galliard. The allemande, or German dance was popular during the Baroque and finally the ronde, or round dance, a lively dance associated with the outdoors.

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Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne

Renaissance and Medieval Music in MIDI files

By broadly organizing the volume's contents around sources and archives, the music of Du Fay (1397?-1474) and Josquin Desprez (ca. 1450/55-1521), sacred music, polyphonic song, and cultural and reception history, editors Fabrice Fitch and Jacobijn Kiel have successfully distilled into six chapters the most germane, overarching themes of Fallows's contributions to Renaissance music through an array of articles presenting important new findings, interpretations, and perspectives, the authors of many crediting Fallows for his role in their work at hand. A summary of these essays follows.

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This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor’s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.

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Essays on Renaissance Philosophies of Music (Renaissance Voices: Views on Music by Renaissance Writers) [Dr. David Whitwell, …

Renaissance - Essay - 87,000+ Free Term Papers and Essays

Music and Religious Change in the Renaissance by Michael Smith

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