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Cultural Awareness: As we live in an increasingly diverse society, the images of different groups in the media may also present mixed messages. “If a child is playing with a toy that suggests a racist or sexist meaning, part of that meaning develops because of the aesthetics of the toy—the color, shape, texture of the hair,” says Freedman. Teaching children to recognize the choices an artist or designer makes in portraying a subject helps kids understand the concept that what they see may be someone’s interpretation of reality.
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Composers do have a knowledge of what theorists have surmised about the structure of music. That's part of the education and skill of any composer, and a composer does in some sense use all accumulated knowledge about theory and musical style to guide compositional decisions. Without such knowledge, the composer would be swimming aimlessly in the great sea of "anything is possible." Composers impose restrictions on themselves in order to give coherence to their ideas. But it is the set of restrictions that composers choose which are later formulated by theorists, not vice versa. Schubert never worried about whether he was using melodic minor or harmonic minor (although he was certainly aware that he was raising the seventh degree of the A-minor scale when he wrote a G#). He did what he did because of traditions in his musical culture and because the sound of it worked for him; only later did a theorist call the collection of notes he used "melodic minor" or "harmonic minor". Beethoven never said to himself, "I've heard tell of this thing called the 'harmonic minor scale'. Think I'll try to include a couple of 'em in my next piece." For us, the term "harmonic minor scale" is just a handy way of verbally conveying to each other that we're talking about a set of notes with a certain configuration--a minor scale with the seventh degree raised.