Nature And Scope Of Romanticism In Music Music Essay
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Here is my introduction:
Music ,as a way of perceiving emotions and thoughts, is divided to many categories. It is true that the international music is known by most of the people, local music also should be noticed as it conveys specific cultures and histories.
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We can not deny that there are various kind of music in today society. Music seems to be an essential aspect of the culture and life. In the following paragraphs, I will explain the reason why human need music and answer the question whether the traditional music of a nation is more important than the International music that is heard all over the world nowdays.
First of all, music is something that accompanies all of people through their life span. In particular, as children, people are taught songs by their parents and teacher as a way to learn language and communicate or simple as a form of enjoyment. Later in life, music plays many role in society such as music is the food of soul, it brings to people’s mind a way to entertainment and helps to release all stress that they have to surf. Moreover, music is able to express and arouse the emotions that words alone cannot.
Secondly, in my point of view, I believe that traditional music is more importan than Internation music because International music like Pop, Rock , RnB … is just commercial product that is used to earn money to business people. However, not only can traditional music express the culture, customs and history of a nation but it is also the connection between present and the past. In addition, music is a form of culture identity.
In conclusion, I absolutely believe that music is one of the most vital factor in the existence and development of human. Besides that, I also think that each individual should contribute to conserve the traditional music to avoid the domination of the modern International music.
Political nature of music consists in defining racial and ethnic communities. For example, blues music was a post-Reconstruction development in African-American musical and poetic history. For the first time black Americans–outside of maroon (fugitive slave) communities–were forced to create both a community and a culture of their own (Frith 78). The blues were part of this culture creation process. Born in the late nineteenth century, blues evolved well into the 1950s and declined with the heyday of the civil rights movement in the 1960s. Only with the formation of an African-American community and its blues culture, the exiled African, former slaves, become truly American. It is in the poetic realization of this newly evolved community of African Americans that the social meaning of the blues is to be found.