Music in Culture and Society Essay

Category: Music Technology Society; Title: Music, Technology and Society. Free Essays. Home Search Essays FAQ Contact. Search: Music and the relationships of music have changed drastically in our society. The course of studies and

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Within our culture are people who want to provide for a safe, rational, and happy society and who see some music as a threat to this goal. Changing the course of music through censorship is not a viable solution. So if these people wish to reach their goal, they must find another way to influence artists as well as the buying public. The way to do this is to become artists themselves; to enter their own music and ideas into the pool of the marketplace. If their product is good (interesting, truthful, popular, influential), then other artists and consumers will absorb it, enjoy it, buy it, and/or let it influence them. If their product is not good, then, just like other artists throughout history whose work was not good, it will not be an influential force. This would be a more probable and historically-precedented way of "protecting" society.

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Popular Music And Society Media Essay. Published: 23rd March, 2015 Last Edited: 23rd March, 2015. This essay has been submitted by a student. This is not an example.

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Robert P. Morgan is Emeritus Professor of Music at Yale University and has enjoyed a distinguished musical career. Among his numerous musical honors are grants from the German Government and the National Endowment for the Humanities, plus an award for graduate teaching from The University of Chicago. He has in addition served on the Advisory Board of the Fromm Music Foundation, the Executive Board of the Society of Music Theory, as Director at Large of the American Musicological Society, twice as a faculty member of the Mannis Institute for Advanced Studies in Music Theory, and as Chair of the Visiting Committee of the Department of Music at Harvard University. He has been on numerous editorial boards and he holds the distinction of being nominated as one of two candidates for President of both the Society for Music Theory and the American Musicological Society.

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The Impact of Music on Society Essays - 1293 Words | Cram

Never before in the history of humanity have so many different kinds of music been so easily available to so many people. The development of the electronic media in the latter part of the 20th Century revolutionized access to and use of music in our everyday lives. We can turn on the radio, play a CD or tape, or listen to music on video or TV with very little effort. This has not always been the case. Prior to these developments, music was only accessible for most people if they made it themselves or attended particular religious or social events. The effects of these changes have been dramatic. It is now possible for us to use music to manipulate personal moods, arousal and feelings, and create environments which may manipulate the ways that other people feel and behave. Individuals can and do use music as an aid to relaxation, to overcome powerful emotions, to generate the right mood for going to a party, to stimulate concentration, in short, to promote their well being. It has become a tool to be used to enhance our self presentation and promote our development.

Music, Gender, and Society: Outstanding Student Essays, Spring 2016 Beth Denisch

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None of these music-related claims have been popularly accepted, largely due to the difficulty in providing tangible proof. Instances of Satanism have been attributed to drug abuse rather than music (Epstein 1990). Congressional subcommittee hearings of 1955 trying to associate rock music with juvenile delinquency were unsuccessful, as were the 1973 "Buckley report" on rock music and drug abuse and the 1985 senate hearings on obscenity in popular music (Epstein 1990). The 1970 Commission on Obscenity and Pornography (C.O.P.) report asserted that "it is obviously not possible, and never could be possible, to state that never on any occasion, under any conditions, did any erotic material ever contribute in any way to the likelihood of any individual committing a sex crime. Indeed, no such statement could be made about any kind of nonerotic material (Oboler 1974). An extensive study encompassing psychology, physiology, behavioral studies, sociology, and music would have to be done to prove a form of music is capable of causing harm. The researchers would have to be trained not only in research methods but in all these fields and the music involved. A willing, impartial musicologist proficient in the music of subcultures might be a rare find. Given these reasons it is clear why, to my knowledge, such a study has not been performed. The effects of music are still debatable.