Essays on music therapy thesis masters of arts english literature
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In layman’s terms, researchers studied music’s effects on a molecular level, something they cited prior research hasn’t done before. They had one group of participants listen to Wolfgang Amadeus Mozart’s Violin Concerto No. 3 in G major, K.216 for 20 minutes, and another didn’t listen to any music. Instead, they were advised to avoid listening to music the day before the study and spent their session either talking to other participants, reading a magazine, or walking outside.
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His book is divided into four main parts excluding the introduction, preface, etc. Part One of the book, outlines premises for the argument, examining such as culture, humankind, meaning, "musicking," and the nature-nurture debate. Part Two highlights how culture-centered music therapy may be practiced. The scope varies from community music therapy (aimed in part on cultural change in the community), to ecological music therapy (focusing on communication at micro- and mesosystem levels), to individual music psychotherapy (considering the individual in ). In Part Three, implications for describing and understanding music therapy are discussed, including a chapter on how to define music therapy as a practice, discipline, and profession. A culture-inclusive model of the music therapy process is also proposed. Part Four suggests approaches to music therapy research within a culture-centered context. A call for increased reflexivity, the ability to reflect upon one's social and cultural position, is at the heart of the discussion, along with a continuing theme of this book: the relations and tensions between local and more general perspectives on music therapy.