Essays in Musical Analysis - Wikipedia

Kollmann was born in Germany, where he began his career as an organist and teacher before serving as organist and schoolmaster at the Royal German Chapel in St James’s Palace, London, from 1782 until his death in 1829. During his career in England, Kollmann published works in English on instrumental instruction, music analysis, harmony, and composition. His Essay on Practical Musical Composition (1799) was dedicated to George III, who owned a copy of Kollmann’s previous work, An Essay on Musical Harmony (1796). The subscriber’s list was headed by Queen Charlotte and included the Princess of Wales, the Duke and Duchess of York, and Princesses Augusta, Elizabeth, and Mary, as well as Charles Burney, John Peter Salomon, and other leading musicians. Kollmann’s signature, indicating his ownership of copyright, appears on the title page of the Archive’s copy, shown above.

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Sir Donald Tovey's Essays in Musical Analysis are a series of analytical essays on classical music.

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"Hermeneutic reading of a musical text is based on a description, a 'naming' of the 's elements, but adds to it a hermeneutic and depth that, in the hands of a talented writer, can result in genuine interpretive masterworks.... All the illustrations in Abraham's and Dahlhaus's (1972) are historical in character; Rosen's essays in (1971) seek to grasp the essence of an epoch's style; Meyer's analysis of Beethoven's (1973: 242-68) penetrates melody from the vantage point of perceived structures." He gives as a last example the following description of 's : "The transition from first to second subject is always a difficult piece of musical draughtsmanship; and in the rare cases where Schubert accomplishes it with smoothness, the effort otherwise exhausts him to the verge of dullness (as in the slow movement of the otherwise great A minor Quartet). Hence, in his most inspired works the transition is accomplished by an abrupt ; and of all such , no doubt the crudest is that in the Unfinished Symphony. Very well then; here is a new thing in the history of the symphony, not more new, not more simple than the new things which turned up in each of Beethoven's nine. Never mind its historic origin, take it on its merits. Is it not a most impressive moment?" (, 213–1990, 162–163).

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Chamber Music: Selections from Essays in Musical Analysis / AvaxHome

Kollmann was born in Germany, where he began his career as an organist and teacher before serving as organist and schoolmaster at the Royal German Chapel in St James’s Palace, London, from 1782 until his death in 1829. During his career in England, Kollmann published works in English on instrumental instruction, music analysis, harmony, and composition. His Essay on Practical Musical Composition (1799) was dedicated to George III, who owned a copy of Kollmann’s previous work, An Essay on Musical Harmony (1796). The subscriber’s list was headed by Queen Charlotte and included the Princess of Wales, the Duke and Duchess of York, and Princesses Augusta, Elizabeth, and Mary, as well as Charles Burney, John Peter Salomon, and other leading musicians. Kollmann’s signature, indicating his ownership of copyright, appears on the title page of the Archive’s copy, shown above.

Get this from a library! Essays in musical analysis. Vol. 1. Symphonies. [Donald Francis Tovey]

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Musical Analysis
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Must be 6-8 pages I length (excluding the title page, text/translations, and bibliography). Use Chicago manual style format to include properly cited footnotes and
bibliography consisting of credible and varied sources. Discuss each of the 5 songs in detail (music, text, translation, style, interpretation,etc.), and must
incorporate musical examples. It should glow as a coherent paper and not 5 separate essays.

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This volume features selections from the famous musicologist's acclaimed Essays in Musical Analysis. The contents comprise some of Donald F. Tovey's most important essays, including those on Bach's "Goldberg" Variations and The Art of Fugue as well as considerations of key works by Haydn, Mozart, Beethoven, Schumann, Chopin, and Brahms.