Pop Music Essay Professor Fry American Pop Music Essay The
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In its second phase in the 1980s, the introduction of dance beats and more conventional rock instrumentation made the music warmer and catchier and contained within the conventions of three-minute pop. Synthesizers were increasingly used to imitate the conventional and clichéd sound of orchestras and horns. Thin, treble-dominant, synthesized melodies and simple drum programmes gave way to thick, and compressed production, and a more conventional drum sound. Lyrics were generally more optimistic, dealing with more traditional subject matter for pop music such as romance, escapism and aspiration. According to music writer , the hallmark of 1980s synth-pop was its "emotional, at times operatic singers" such as , and . Because synthesizers removed the need for large groups of musicians, these singers were often part of a duo where their partner played all the instrumentation.
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In the US, where synth-pop is considered a subgenre of and was described as "technopop" or "electropop" by the press at the time, the genre became popular due to the cable music channel , which reached the media capitals of New York City and in 1982. It made heavy use of style-conscious New Romantic synth-pop acts, with "" (1982) by generally considered the first hit by a British act to enter the Billboard Top Ten as a result of exposure through video. The switch to a "" format in US radio stations was also significant in the success of British bands. The success of synth-pop and other British acts would be seen as a . Synth-pop was taken up across the world, with international hits for acts including and from Canada, from Belgium, , , , and from Germany, from Switzerland and from Spain.