FREE Giacomo Puccini - Life, Love and Opera Essay
Giacomo Puccini | Biography & History | AllMusic
Program Four, a concert-lecture guided by Emanuele Senici, consisting of arias with piano accompaniment representing the major players in the world of Italian opera at the end of Verdi’s life: nor only Verdi himself, but Ponchielli, who was important as a teacher and mentor, Antonio Carlos Gomes (1836-96, a Brazilian who settled in Italy), Alberto Franchetti, Francesco Cilea, Ruggero Leoncavallo, Italo Montemezzi, Umberto Giordano, Riccardo Zandonai, and of course Mascagni and Puccini. While some of these saw the future of Italian opera under German (especially Wagner’s) influence, others looked to France for models. All of these composers represent a popular vein, with operas created as entertainment for wide audiences. The post-Puccinian generation was dominated by less compromising personalities, for example Luigi Dallapiccola and Goffredo Petrassi. the operas of Puccini’s student, Franco Alfano, are largely forgotten—although his will be revived at the Met this season. Only Gian Carlo Menotti, who emigrated to the United States, made much of a mark in writing operas of popular appeal.
Synopsis of Puccini's Opera "Gianni Schicchi" - ThoughtCo
The organizers are to be congratulated on managing to include so much opera in the established Bard Festival format, which relies on solo and chamber music to tell a good part of its story. Vocal recitals with piano accompaniment to the rescue…but Alfano was offered an opportunity to show himself as a distinct personality beyond that of the uninspired completer of Puccini’s unfinished in his Concerto for Violin, Cello, and Piano of 1932. A flashy, aggressive piece, richly worked out, it brought the audience to its feet in a long ovation for the composer as well as the superb musicians who have championed Alfano’s chamber music: violinist Elmira Dargarova, cellist Samuel Macgill, and pianist Blair McMillen.