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The Rock Music Era Affected Society in More Negative Ways Than Positive Ones. Essay Example The Rock music era affected.

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In the 1950s, Britain was well placed to receive American rock and roll music and culture. It shared a common language, had been exposed to American culture through the stationing of troops in the country, and shared many social developments, including the emergence of distinct youth sub-cultures, which in Britain included the . became popular, and many of its musicians were influenced by related American styles, including and . The craze, led by , utilised mostly amateurish versions mainly of American folk songs and encouraged many of the subsequent generation of rock and roll, folk, R&B and beat musicians to start performing. At the same time British audiences were beginning to encounter American rock and roll, initially through films including (1955) and (1955). Both films contained the hit "", which first entered the British charts in early 1955 - four months before it reached the - topped the British charts later that year and again in 1956, and helped identify rock and roll with teenage delinquency. American rock and roll acts such as , and thereafter became major forces in the British charts.

characteristics of the music. The first section of this essay is Rock n' Roll of the 1950's, when Rock n' Roll was born. It

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The origins of glam rock are associated with , who had renamed his folk duo to and taken up electric instruments by the end of the 1960s. Often cited as the moment of inception is his appearance on the UK TV programme in December 1970 wearing glitter, to perform what would be his first number 1 single "". From 1971, already a minor star, developed his Ziggy Stardust persona, incorporating elements of professional make up, mime and performance into his act. These performers were soon followed in the style by acts including Roxy Music, , , , and . While highly successful in the single charts in the UK, very few of these musicians were able to make a serious impact in the United States; Bowie was the major exception becoming an international superstar and prompting the adoption of glam styles among acts like , , and , often known as "glitter rock" and with a darker lyrical content than their British counterparts. In the UK the term glitter rock was most often used to refer to the extreme version of glam pursued by and his support musicians the , who between them achieved eighteen top ten singles in the UK between 1972 and 1976. A second wave of glam rock acts, including , 's and , dominated the British single charts from about 1974 to 1976. Existing acts, some not usually considered central to the genre, also adopted glam styles, including , , and, for a time, even the Rolling Stones. It was also a direct influence on acts that rose to prominence later, including and , and less directly on the formation of and as well as on punk rock, which helped end the fashion for glam from about 1976. Glam has since enjoyed sporadic modest revivals through bands such as , and in R n' B crossover act .

A version of this article appears in print on June 4, 2017, on Page BR44 of the  with the headline: Music.

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From the late 1960s it became common to divide mainstream rock music into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included , and . It reached its commercial peak in the mid- to late 1970s with acts like , and the reformed , whose (1977) was the best-selling album of the decade. In contrast, hard rock was more often derived from blues-rock and was played louder and with more intensity. It often emphasised the electric guitar, both as a rhythm instrument using simple repetitive riffs and as a solo instrument, and was more likely to be used with and other effects. Key acts included British Invasion bands like the Kinks, as well as psychedelic era performers like Cream, Jimi Hendrix and . Hard rock-influenced bands that enjoyed international success in the later 1970s included Queen, , , . and